My artistic practice explores the ways in which ordinary objects and materials become carriers of memory, imagination, and cultural meaning. Working primarily with ceramics, drawing, and installation, I investigate the fragile boundary between the familiar and the unfamiliar, transforming everyday artefacts into speculative objects that invite reflection, curiosity, and wonder.

Collecting lies at the heart of my practice—not as an act of preservation, but as a creative strategy for reimagining the world. I am drawn to overlooked objects, fragments, toys, packaging, natural forms, and traces of daily life. Through processes of moulding, repetition, assemblage, and material transformation, these familiar elements are detached from their original functions and reconfigured into fictional collections that blur the distinctions between fact and fiction, archaeology and imagination, science and mythology.

Material itself plays an active role in this process. Clay, in particular, is not simply a medium but a collaborator whose physical properties, resistance, and unpredictability shape both the making of the work and its conceptual development. I embrace uncertainty, accident, and imperfection as integral aspects of artistic inquiry, allowing the material to influence the direction of each piece.

My work is informed by an ongoing dialogue between artistic research, museum culture, and contemporary visual practice. Rather than offering fixed interpretations, I seek to create open-ended encounters that encourage viewers to construct their own narratives and associations. Wonder, for me, is not merely an aesthetic experience but a mode of critical attention—an invitation to question what we know, reconsider what we overlook, and imagine alternative ways of seeing the world.

Ultimately, I view art as a space where material, memory, and imagination converge, enabling new relationships between objects, places, and people. Through this process, I hope to create works that remain open to multiple readings while fostering reflection, dialogue, and meaningful engagement with the complexities of contemporary life.